Astolfo
Astolfo (also Astolpho, Estous, and Estouls) is a fictional character in the Matter of France where he is one of Charlemagne's paladins. He is the son of Otto, the King of England (possibly referring to Charles' contemporary Offa of Mercia), and is a cousin to Orlando and Rinaldo, and a descendant of Charles Martel. While Astolfo's name appeared in the Old French chanson de geste The Four Sons of Aymon, his first major appearance was in the anonymous early fourteenth-century Franco-Italian epic poem La Prise de Pampelune.[1] He was subsequently a major character (typically humorous) in Italian Renaissance romance epics, such as Morgante by Luigi Pulci, Orlando Innamorato by Matteo Maria Boiardo, and Orlando Furioso by Ludovico Ariosto.
Astolfo in Orlando Furioso[edit]
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When first introduced, Duke Astolfo is trapped in the form of a myrtle tree by means of the evil sorceress Alcina's magic. When Ruggiero attempts to tether his hippogriff to the unlucky man, Astolfo protests, lamenting his fate. Although the two converse at length, Ruggiero does not heed the duke's advice to avoid Alcina and he soon becomes bewitched as well. Both are, however, rescued and returned to normal by Melissa, the good sorceress.[2]
Astolfo possesses various magical equipment which he employs throughout his adventures. His magical golden spear can knock opponents off their horses with the slightest touch, and his magic book contains spells capable of breaking any enchantment and was very easy to consult thanks to its alphabetical index. He also owns a magic horn, whose blast is so loud that it causes all enemies to flee in terror and rides upon a horse named Rabicano. This magical horse is made of hurricane and flame, feeds on air and it treads so lightly that it doesn't leave footprints in the sand, and when it runs at full speed it can run faster than an arrow.[3]
Astolfo defeated the giant Caligorante, who threw a net stolen from the temple (one that Hephaestus had used to capture Aphrodite and Ares during their adultery), then trapped and devoured all the travelers who passed near him. The hero managed to defeat him thanks to the noise of his magic horn that scared Caligorante, who ended up falling into his own net. After defeating him Astolfo parades the giant from city to city, forcing him to act as his beast of burden. He also defeats Orillo, a thief who could not be killed because he was enchanted to regenerate from any injuries he received. Even amputated limbs would be reattached. Astolfo defeated him after looking up his name in the index of his spell book, thus discovering that to defeat him he had to remove all the hair from his head, knowing this Astolfo proceeds to cut off Orillo's head and then escape on his horse while the thief's headless body chases him, after getting far enough away Astolfo sits with the thief's head on his knees and proceeds to cut his hair with his sword, thus killing Orillo.[4] Astolfo loans his golden lance and Rabicano to Bradamante for a short time while he rides the hippogriff in search of Orlando's lost wits.[5]
Astolfo travels to Ethiopia where he met Senapo (Prester John), the emperor of that land. In a situation similar to the story of Phineus from Greek mythology, Senapo is blind and plagued by harpies who attack him whenever he tries to eat a meal, spilling the glasses and befouling the food. Astolfo blows his horn and chases the harpies through the entrance to Hell, and seals them inside. He flies the hippogriff to the summit of the mountain of Terrestrial Paradise, where he meets Saint John the Apostle, who explains how he could return Orlando to his senses. He flies in Elijah's flaming chariot to the Moon, where all things lost upon the Earth end up, and locates Orlando's wits in a bottle.[6] He returns to Earth and gains Senapo's aid in the defense of Paris from the Saracen invaders.
Astolfo has been much analyzed as an antihero. From Ferrero [7] (1961) to Santoro [8] (1973) and Vallecalle [9] (1998), and into the twenty-first century, the transformation of the Old French Estout through Franco-Italian poems to Ariosto's masterpiece continues to fascinate readers.
Origin of the name[edit]
It derives from the Germanic name Haistulf, a name composed of haist (of uncertain meaning, perhaps "furious", "violent") or perhaps ast ("rod", "spear"), and vulf ("wolf")
In modern times[edit]
Science[edit]
A species of extinct rail was named in honor of Astolfo: Gallirallus astolfoi, or Astolfo's rail.[10]
Other media[edit]
Astolfo appears in the Japanese light novel and television anime series Fate/Apocrypha as the Rider of the Black faction. He was later also featured in the video game Fate/Grand Order as a Rider. His popularity as a character in the Fate media franchise was deemed to surpass the popularity of the original in modern times.[11] This phenomenon was also observed for other characters in the Fate franchise in a 2021 study, within which the authors named said phenomenon "The Astolfo Effect".[11]
References[edit]
- ^ Peter Brand and Lino Pertile (1996). The Cambridge History of Italian Literature. Cambridge: Cambridge University Press, p. 168.
- ^ Orlando Furioso VIII: 15–22
- ^ Orlando Furioso XV: 40–41
- ^ Orlando Furioso XV: 81–87
- ^ Orlando Furioso XXIII: 14–16
- ^ Orlando Furioso XXXIV: 87
- ^ Giuseppe Guido Ferrero, "Astolfo (Storia di un personaggio)," “Convivium”, XXIV, 1961, pp. 513-530.
- ^ Mario Santoro, “L'Astolfo ariostesco: ‘homo fortunatus’,” Letture ariostesche, ed. Mario Santoro. Naples: Liguori, 1973, pp. 135-214.
- ^ Jean-Claude Vallecalle, "Fortitudo e Stultitia: remarques sur le personnage d’Estout dans les chansons de geste," in Miscellanea mediaevalia, ed. Jean-Claude Faucon, Alain Labbé, Danielle Queruel, Paris, Champion, 1998, 2, pp. 1423-1434.
- ^ Salvador, Rodrigo B.; Anderson, Atholl; Tennyson, Alan J.D. (2021). "An Extinct New Rail (Gallirallus, Aves: Rallidae) Species from Rapa Island, French Polynesia". Taxonomy. 1 (4): 448–457. doi:10.3390/taxonomy1040032.
- ^ a b Tomotani, João V.; Salvador, Rodrigo B. (2021). "The Astolfo Effect: the popularity of Fate/Grand Order characters in comparison to their real counterparts". Journal of Geek Studies. 8 (2): 59–69.
- Ariosto, Ludovico; and Waldman, Guido (translator) (28 January 1999). Orlando Furioso. Oxford. ISBN 0-19-283677-3.