File:Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg

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Summary

Rembrandt: The Jewish Bride

Artist



Alternative names	Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
Description	Dutch painter, printmaker and drawer
Date of birth/death	15 July 1606	4 October 1669
Location of birth/death	Leiden	Amsterdam
Work period	between circa 1625 and circa 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
Work location	Leiden (1620-1624), Amsterdam (1624-1625), Leiden (1625-1633), Amsterdam (1631-1669)
Authority file	: Q5598 VIAF: 64013650 ISNI: 0000000121363802 ULAN: 500011051 LCCN: n79142935 NLA: 35139809 WorldCat

Title

Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’

Object type

painting

Genre

portrait

Depicted people

Isaac

Date

between 1662 and 1666

Medium

oil on canvas

Dimensions

height: 121.5 cm (47.8 in); width: 166.5 cm (65.5 in)

Collection

Rijksmuseum

	Native name	Rijksmuseum Amsterdam
	Location	Amsterdam
	Coordinates	52° 21′ 36″ N, 4° 53′ 07″ E
	Established	1800
	Website	rijksmuseum.nl
	Authority file	: Q190804 VIAF: 159624082 ISNI: 0000000121961335 ULAN: 500246547 LCCN: n79007489 NLA: 36126463 WorldCat

Current location

Gallery of Honour

Accession number

SK-C-216

Place of creation

Amsterdam

Object history

by 1825: Vaillant (Probably Christiaan Everhard Vaillant (1746-1829)), Amsterdam

1825: purchased by John Smith (art dealer), London, from Vaillant, Amsterdam for NLG 5,000

from 2 May 1828 until 3 May 1828: sale of the collection of John Smith at Stanley, London, lot no. 67,, for GBP 420 (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)

July 1833 (?): purchased by Albertus Brondgeest from Smith for Adriaan van der Hoop (1778-1854), Amsterdam for NLG 6,825

1854: bequeathed to the city of Amsterdam, Inventory number SA 8292, by Adriaan van der Hoop, Amsterdam

30 June 1885: lent to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-C-216, by the city of Amsterdam

Exhibition history

Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amsterdam, 8 September 1898–November 1898, cat. no. 119.

Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 June 1932–4 September 1932, cat. no. 40.

Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 May 1956–5 August 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 August 1956–21 October 1956, OCLC 15659340, cat. no. 96.

Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 September 1969–30 November 1969, cat. no. 22.

Rembrandt-Caravaggio, 24 February 2006–18 June 2006, Van Gogh Museum, Amsterdam, Cat.no. 29.

Inscriptions

Signature and date bottom right:

Rembrandt f. 16[..]

References

Anonymous, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, circa 1665-circa 1669, height: 121.5 cm (47.8 in); width: 166.5 cm (65.5 in).
Anonymous, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, height: 121.5 cm (47.8 in); width: 166.5 cm (65.5 in).
Anonymous, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, height: 121.6 cm (47.8 in); width: 166.4 cm (65.5 in) Anonymous, Bildindex der Kunst und Architektur, object 20186112, as Das Brautpaar (Die Judenbraut), after 1665, height: 121.5 cm (47.8 in); width: 166.5 cm (65.5 in)
Anonymous, Web Gallery of Art, as The Jewish Bride, circa 1665, height: 122 cm (48 in); width: 167 cm (65.7 in).
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ».

Authority file

Source/Photographer

www.rijksmuseum.nl : Home : Info

Other versions

File:Rembrandt Harmensz. van Rijn - Portret van een paar als Oud-Testamentische figuren, genaamd 'Het Joodse bruidje' - Google Art Project.jpg
Version from Google Cultural Institution

File:Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg

File:Rembrandt La novia judia 1667.jpg

File:Rembrandt - The Jewish Bride - WGA19158.jpg
Version from www.wga.hu

File:Rembrandt Harmensz. van Rijn 042.jpg
Version from 10.000 Meisterwerke der Malerei

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:

	This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
	This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

Click on a date/time to view the file as it appeared at that time.

	Date/Time	Dimensions	User	Comment
current	20:15, 17 March 2020	7,470 × 5,430 (5.92 MB)	Alter Meister	Same source, higher resolution
	18:11, 22 August 2014	3,000 × 2,196 (4.28 MB)	Vincent Steenberg	Reverted to version as of 11:20, 18 March 2012
	15:36, 22 July 2014	7,088 × 5,188 (7.66 MB)	Vincent Steenberg	higher resolution
	11:20, 18 March 2012	3,000 × 2,196 (4.28 MB)	Crisco 1492	Higher resolution, same source
	11:23, 1 May 2008	1,600 × 1,153 (254 KB)	BoH	{{Painting\| \|Title={{nl\|Portret van een paar als Oud-Testamentische figuren, genaamd 'Het Joodse bruidje'}}{{en\|Portrait of a couple as figures from the Old Testament, known as 'The Jewish bride'}} \|Technique={{nl\|}} \|Dimensions=121,5 × 166,5 cm \|Locatio