Mariama Bâ
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Mariama Bâ | |
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| Born | 17 April 1929 Dakar, Senegal |
| Died | 17 August 1981 (aged 52) Dakar, Senegal |
| Resting place | Unknown |
| Occupation | Author |
| Language | French |
| Nationality | Senegalese |
| Citizenship | Senegal |
| Genre | novel |
| Notable works | So Long a Letter |
| Children | 9 Children |
Mariama Bâ (April 17, 1929 – August 17, 1981) was a Senegalese author and feminist, whose two French-language novels were both translated into more than a dozen languages.[1] Born in Dakar, she was raised a Muslim.
Her frustration with the fate of African women is expressed in her first novel, Une si longue lettre (1979; translated into English as So Long a Letter). In this semi-autobiographical epistolary work, Bâ depicts the sorrow and resignation of a woman who must share the mourning for her late husband with his second, younger wife.[2] This short book was awarded the first Noma Award for Publishing in Africa in 1980.
Biography[edit]
Bâ was born in Dakar, Senegal, in 1929, into an educated and well-to-do Senegalese family of Lebu ethnicity.[1] Her father was a career civil servant who became one of the first ministers of state. He was the Minister of Health in 1956 while her grandfather was an interpreter in the French occupation regime. After her mother's death, Bâ was largely raised in the traditional manner by her maternal grandparents. She received her early education in French, while at the same time attending Koranic school.[3]
Bâ was a prominent law student at school. During the colonial revolution period and later, girls faced numerous obstacles when they wanted to have a higher education. Bâ's grandparents did not plan to educate her beyond primary school. However, her father's insistence on giving her an opportunity to continue her studies eventually persuaded them.[citation needed]
In a teacher training college based in Rufisque (a suburb in Dakar), she won the first prize in the entrance examination and entered the École Normale.[4] In this institution, she was prepared for later career as a school teacher. The school's principal began to prepare her for the 1943 entrance examination to a teaching career after he noticed Bâ's intellect and capacity. She taught from 1947 to 1959, before transferring to the Regional Inspectorate of teaching as an educational inspector.[citation needed]
Bâ was married three times and had nine children; her third and longest marriage was to a Senegalese member of Parliament, Obèye Diop, but they divorced.[5]
Bâ died in 1981 after a protracted illness, before the publication of her second novel, Un Chant écarlate (Scarlet Song), which is a love story between two star-crossed lovers from different ethical backgrounds fighting the tyranny of tradition.[citation needed]
Work[edit]
Bâ wrote two books: So Long a Letter (1979) and Scarlet Song (1981), in addition to "La fonction politique des littératures Africaines écrites" (The Political Function of African Written Literature), an article published in 1981.
So Long a Letter[edit]
In 1980, Une si longue lettre, translated as So Long a Letter, was awarded the first Noma Award for Publishing in Africa. In this book, the author recognized the immense contributions African women have made and continue to make in the building of their societies.
The book is written in the form of a letter, or a diary, from a widow, Ramatoulaye, to her childhood girlfriend, Aissatou, who lives in the United States. Nafissatou Niang Diallo (1941–1982), who started her works in the 1970s, was a mirror for Mariama Bâ, whose leading role was a strong-minded character. Moreover, she found support, friendship and values from female confidence, unity and harmony. The discriminatory use of power forces Ramatoulaye to deal with its consequences. This discriminatory power is what is in the novel a form of male domination coming from society's construction of a patriarchal ideology. Because Ramatoulaye is a woman, she has little power in determining her own destiny, but Aissatou rejects this notion and chooses her own life without being denied a life of her own by her husband Mawdo.[citation needed]
Scarlet Song[edit]
Scarlet Song (1981) also gained international attention. This book deals with the critically urgent need for women to create "empowered" spaces for themselves, meaning, women need to create a space where they are not considered the "weaker sex". Scarlet Song is about a marriage between a European woman and an African man. Mireille, whose father is a French diplomat, marries Ousmane, son of a poor Senegalese Muslim family. Moving back from Paris to Senegal, Ousmane once again adopts his traditions and customs. But, as an occidental, Mireille cannot handle this kind of life, especially when Ousmane takes a second wife. However, Senegal has a polygamous society and in their religion it is acceptable but Mireille did not accept it. She suffers the marriage. Most notably, the book criticizes the tyranny of tradition and expounds upon the despair of cross-cultural marriages.
"La Fonction politique des littératures africaines écrites"[edit]
In this article from 1981, Mariama Bâ states that every African woman should be proud of her strength and accomplishments. She believes that each woman contributes to Africa's development and participates in Africa's growth.[6]
Feminism and politics[edit]
Bâ neither accepted the label "feminist", which for her was too loaded with Western values, nor agreed with the traditional Senegalese Muslim values for women. According to Rizwana Habib Latha, the character of Ramatoulaye in So Long a Letter does portray a kind of womanism, and Bâ herself saw an important role for African women writers:
The woman writer in Africa has a special task. She has to present the position of women in Africa in all its aspects. There is still so much injustice. . . . In the family, in the institutions, in society, in the street, in political organizations, discrimination reigns supreme. . . . As women, we must work for our own future, we must overthrow the status quo which harms us and we must no longer submit to it. Like men, we must use literature as a non-violent but effective weapon.[2]
Legacy[edit]
A biography of Bâ was published in Dakar in 2007: Mariama Bâ ou les allées d'un destin by her daughter, Mame Coumba Ndiaye. It was praised by Jean-Marie Volet as "a fascinating, considerate and enlightening" book.[7]
Mariama Bâ Boarding School (Maison d'Education Mariama Bâ)[edit]
The Mariama Bâ Boarding School is a top boarding school on Gorée, an island in Senegal. It was founded in 1977 by Leopold Sedar Senghor, first president of Senegal. The school was named after Mariama Bâ because of what she stood for, spoke and wrote about. It admits young women who obtained the highest scores during the national secondary school entry exam. Each year, about 25 female students from the 11 regions of Senegal, are given the opportunity to attend Mariama Bâ boarding school for the rest of their high school years. The curriculum is similar to secondary education in France in that it has seven levels, and students finish with their baccalaureat. In 2009, Jana Films, a Spanish production company, filmed a documentary about the school, directed by Ana Rodríguez Rosell.[citation needed]
Bibliography[edit]
- Une si longue lettre (Dakar: Les Nouvelles Éditions Africaines, 1979). So Long a Letter, trans. Modupé Bodé-Thomas (Heinemann, 1981; Virago, 1982; Waveland Press, 2012)
- Un Chant écarlate (Dakar: Les Nouvelles Éditions Africaines, 1981). Scarlet Song, trans. Dorothy S. Blair (Longman, 1985)
- "La fonction politique des littératures africaines écrites", in Écriture Française dans le monde, 5(3), 1981, pp. 3-7
Further reading[edit]
- Curry, Ginette. Awakening African Women: The Dynamics of Change. London: Cambridge Scholars Press, January 4, 2004.
- Ada Uzoamaka Azodo (ed.), Emerging Perspectives on Mariama Bâ: Postcolonialism, Feminism, and Postmodernism, Africa World Press (2003), ISBN 1-59221-028-7.
- George, Joseph, "African Literature" ch. 12 of Understanding Contemporary Africa, April A. Gordon and Donald L. Gordon, Lynne Rienner, London, 1996, ISBN 1-55587-547-5.
- Laura Charlotte Kempen, Mariama Bâ, Rigoberta Menchú, and Postcolonial Feminism, Peter Lang Publishing (2001), ISBN 0-8204-4976-8.
- Ndiaye, Mame Coumba (2007). Mariama Bâ ou les allées d'un destin. Dakar: Nouvelles Editions du Sénégal. ISBN 978-2-7236-1646-1.
References[edit]
- ^ a b Yasmin, Seema (2020). Muslim women are everything : stereotype-shattering stories of courage, inspiration, and adventure. Azim, Fahmida. New York, NY: Harper Design - HarperCollins. pp. 27–30. ISBN 978-0-06-294703-1. OCLC 1135224567.
- ^ a b Latha, Rizwana Habib (2001). "Feminisms in an African Context: Mariama Bâ's so Long a Letter". Agenda. 50 (50): 23–40. JSTOR 4066403.
- ^ Ormerod, Beverley; Volet, Jean-Marie (1994). Romancières africaines d'expression française : le sud du Sahara (in French). Paris: Éditions Harmattan. ISBN 9782738422057.
- ^ "Mariama Bâ (1929-1981)". Les hussards noirs des savoirs (in French). Retrieved 2021-03-31.
- ^ Garman, Emma (2019-05-13). "Feminize Your Canon: Mariama Bâ". The Paris Review. Retrieved 2022-01-04.
- ^ Plant, D. G. (ed.) (1996). "Mythic Dimensions in the Novels of Mariama Bâ", Research in African Literatures
- ^ Volet, Jean-Marie (August 2009). "Rev. of Mariama Bâ ou les allées d'un destin by Mame Coumba Ndiaye". University of Western Australia.
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