Piagnoni

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Girolamo Savonarola

The Piagnoni were a group of Christians who followed the teachings of Girolamo Savonarola.[1][2] The later Piagnoni remained in the Catholic Church and kept a mixture with the teachings of Catholic dogma and the teachings of Girolamo Savonarola.[3] The name Piagnoni (meaning weepers) was given because they wept for their sins and the sins of the world.[4]

Beliefs[edit]

The Piagnoni believed the message of Savonarola: that clergy need to stick to their sacramental functions, leave charitable work for the laity, Savonarola also preached against what he saw as "lax and corrupt clergy", and called for a theocratic republic and religious reform.[5] The Piagnoni also opposed secular items deemed sinful by Girolamo Savonarola such as cosmetics, secular art and many musical instruments, which they burned in 1497.[6]

History[edit]

While Savonarola was still alive the Piagnoni supported the campaigns of Savonarola against illicit sex, gambling and blasphemy. Savonarola also organized groups of followers that persuaded the people to hand over secular items to be burned.[7]

The Piagnoni survived underground, even after Medici rule was installed into Florence, however they gradually abandoned their goals.[8] The Piagnoni are also linked to the presence of reformation ideas in Florence as some later Piagnoni already in 1520 praised the views of Martin Luther.[9] Many other late followers of Savonarola were first attracted to Luther's attacks of the pope and clergy, but later had disagreements with his other theology.[10]

Savonarola preaching

Some Piagnoni converted to Protestantism, while other Piagnoni wrote against the views of Luther.[11] Petrus Bernandinus was a follower of Savonarola and had a fanatical zeal to the teachings of Savonarola.

Peter preached in Florence while Savonarola was alive and after he died. Later Peter and his companions were burned for heresy and others were expelled from Florence.[12]

Philip Neri was a devoted follower of the teachings of Girolamo Savonarola, later he would be an influential figure in the Counter-Reformation.[13][14]

References[edit]

  1. ^ Tafuri, Manfredo (2006-01-01). Interpreting the Renaissance: Princes, Cities, Architects. Yale University Press. ISBN 978-0-300-11158-3.
  2. ^ Strathern, Paul (2011-10-31). Death in Florence: the Medici, Savonarola and the Battle for the Soul of the Renaissance City. Random House. ISBN 978-1-4464-7761-8.
  3. ^ Bertoglio, Chiara (2017-03-06). Reforming Music: Music and the Religious Reformations of the Sixteenth Century. Walter de Gruyter GmbH & Co KG. ISBN 978-3-11-052081-1.
  4. ^ King, Margaret L. (2003). The Renaissance in Europe. Laurence King Publishing. ISBN 978-1-85669-374-5.
  5. ^ Terpstra, Nicholas (2005). Abandoned Children of the Italian Renaissance: Orphan Care in Florence and Bologna. JHU Press. ISBN 978-0-8018-8184-8.
  6. ^ Bartlett, Kenneth (2018-03-01). Florence in the Age of the Medici and Savonarola, 1464–1498: A Short History with Documents. Hackett Publishing. ISBN 978-1-62466-683-4.
  7. ^ "Italy - Savonarola | Britannica". www.britannica.com. Retrieved 2021-12-19.
  8. ^ Macey, Patrick Paul; Macey, Associate Professor of Musicology Eastman School of Music Patrick (1998). Bonfire Songs: Savonarola's Musical Legacy. Clarendon Press. ISBN 978-0-19-816669-6.
  9. ^ Melloni, Alberto (2017-12-20). Martin Luther: A Christian between Reforms and Modernity (1517-2017). Walter de Gruyter GmbH & Co KG. ISBN 978-3-11-049823-3.
  10. ^ Herzig, Tamar (2008). Savonarola's Women: Visions and Reform in Renaissance Italy. University of Chicago Press. ISBN 978-0-226-32915-4.
  11. ^ Moreana. Association Amici Thomae Mori. 1997.
  12. ^ Kirsch, Johann Peter (1911). "Petrus Bernardinus" . Catholic Encyclopedia. Vol. 11.
  13. ^ "Imitations of Christ: Ignatius of Loyola, Philip Neri and the influence of the Devotio Moderna - University of Wales" (PDF). repository.uwtsd.ac.uk/. Neri's ideas evolved in response to his environment and influential individuals. In Florence, his family had revered Savonarola with his fiery condemnation of ecclesiastical abuses, and Neri kept a portrait of the outspoken Dominican on which he had drawn a halo.
  14. ^ "St. Philip Neri". stlucycommunity.com/.
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