Daniel Libeskind

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Daniel Libeskind
Daniel Libeskind 2011.jpg
Libeskind in front of his extension to the Bundeswehr Military History Museum in Dresden, 2011
Born (1946-05-12) May 12, 1946 (age 76)
Łódź, Poland
NationalityPolish–American
Alma materThe Cooper Union
University of Essex
OccupationArchitect
SpouseNina Lewis Libeskind (m. 1969)
Children3
PracticeStudio Daniel Libeskind
BuildingsFelix Nussbaum Haus
Jewish Museum Berlin
Imperial War Museum North
Contemporary Jewish Museum
Royal Ontario Museum (expansion)
One World Trade Center (2002)
The Ascent at Roebling's Bridge
Websitelibeskind.com

Daniel Libeskind (born May 12, 1946) is a Polish–American architect, artist, professor and set designer. Libeskind founded Studio Daniel Libeskind in 1989 with his wife, Nina, and is its principal design architect.[1]

He is known for the design and completion of the Jewish Museum in Berlin, Germany, that opened in 2001. On February 27, 2003, Libeskind received further international attention after he won the competition to be the master plan architect for the reconstruction of the World Trade Center site in Lower Manhattan.[2]

Other buildings that he is known for include the extension to the Denver Art Museum in the United States, the Grand Canal Theatre in Dublin, the Imperial War Museum North in Greater Manchester, England, the Michael Lee-Chin Crystal at the Royal Ontario Museum in Toronto, Canada, the Felix Nussbaum Haus in Osnabrück, Germany, the Danish Jewish Museum in Copenhagen, Denmark, Reflections in Singapore and the Wohl Centre at the Bar-Ilan University in Ramat Gan, Israel.[3] His portfolio also includes several residential projects. Libeskind's work has been exhibited in major museums and galleries around the world, including the Museum of Modern Art, the Bauhaus Archives, the Art Institute of Chicago, and the Centre Pompidou.[4]

Early life and education[edit]

Born in Łódź, Poland, Libeskind was the second child of Dora and Nachman Libeskind, both Polish Jews and Holocaust survivors. As a young child, Libeskind learned to play the accordion and quickly became a virtuoso, performing on Polish television in 1953. He won a prestigious America Israel Cultural Foundation scholarship in 1959 and played alongside a young Itzhak Perlman. Libeskind lived in Poland for 11 years and can still speak, read, and write Polish.[5]

In 1957, the Libeskinds moved to Kibbutz Gvat, Israel and then to Tel Aviv before moving to New York in 1959.[6] In his autobiography, Breaking Ground: An Immigrant's Journey from Poland to Ground Zero, Libeskind spoke of how the kibbutz experience influenced his concern for green architecture.[7]

In the summer of 1959, his family moved to New York City on one of the last immigrant boats to the United States. In New York, Libeskind lived in the Amalgamated Housing Cooperative in the northwest Bronx, a union-sponsored, middle-income cooperative development. He attended the Bronx High School of Science. The print shop where his father worked was on Stone Street in Lower Manhattan, and he watched the original World Trade Center being built in the 1960s.[8] Libeskind became a United States citizen in 1965.[9]

Daniel Libeskind was accepted at Cooper Union for the Advancement of Science and Art and began school there in 1965 where he was taught by John Hejduk and received his professional architectural degree in 1970.[10] In 1968, Libeskind briefly worked as an apprentice to architect Richard Meier.[10] He received a postgraduate degree in history and theory of architecture at the School of Comparative Studies at the University of Essex in 1972. The same year, he was hired to work at Peter Eisenman's New York Institute for Architecture and Urban Studies, but he quit almost immediately.[11]

Career[edit]

Libeskind began his career as an architectural theorist and professor, holding positions at various institutions around the world. From 1978 to 1985, Libeskind was the director of the Architecture Department at Cranbrook Academy of Art in Bloomfield Hills, Michigan.[12] His practical architectural career began in Milan in the late 1980s, where he submitted to architectural competitions and also founded and directed Architecture Intermundium, Institute for Architecture & Urbanism.

Libeskind completed his first building at the age of 52, with the opening of the Felix Nussbaum Haus in Osnabruck, Germany in 1998.[13] Prior to this, critics had dismissed his designs as "unbuildable or unduly assertive".[14] In 1987, Libeskind won his first design competition for housing in West Berlin, but the Berlin Wall fell shortly thereafter and the project was cancelled. Libeskind won the first four project competitions he entered including the Jewish Museum Berlin in 1989, which became the first museum dedicated to the Holocaust in WWII and opened to the public in 2001 with international acclaim.[15] This was his first major international success and was one of the first building modifications designed after reunification. A glass courtyard was designed by Libeskind and added in 2007. The Academy of the Jewish Museum Berlin also designed by Libeskind was completed in 2012.

Libeskind's addition to the Royal Ontario Museum in Toronto (2007).

Libeskind was selected by the Lower Manhattan Development Corporation to oversee the rebuilding of the World Trade Center,[16] which was destroyed in the September 11, 2001 attacks. The concept for the site, which he titled Memory Foundations, was well-received upon its presentation to the public in 2003, although it was ultimately changed significantly before its execution.[17] He was the first architect to win the Hiroshima Art Prize, awarded to an artist whose work promotes international understanding and peace. Many of his projects look at the deep cultural connections between memory and architecture.[18]

Studio Daniel Libeskind is headquartered two blocks south of the World Trade Center site in New York. He has designed numerous cultural and commercial institutions, museums, concert halls, convention centers, universities, residences, hotels, and shopping centers. The studio's most recent completed projects include the MO Museum in Vilnius, Lithuania; Zlota 44, a high-rise residential tower in Warsaw, Poland; the Ogden Centre for Fundamental Physics at Durham University in Durham, England; the National Holocaust Monument in Ottawa, Canada; and Corals at Keppel Bay in Singapore, adjacent to the studio's previous completed project Reflections at Keppel Bay.

Design objects[edit]

In addition to his architectural projects, Libeskind has worked with a number of international design firms to develop objects, furniture, and industrial fixtures for interiors of buildings. He has been commissioned to work with design companies such as Fiam,[19] Artemide,[20] Jacuzzi,[21] TreP-Tre-Piu,[22] Oliviari,[23] Sawaya & Moroni,[24] Poltrona Frau,[25] Swarovski,[26] and others.[27]

Sculpture and installations[edit]

Libeskind's design projects also include sculpture. Several sculptures built in the early 1990s were based on the explorations of his Micromegas and Chamberworks drawings series that he did in the late 1970s and early 1980s. The Polderland Garden of Love and Fire in Almere, Netherlands is a permanent installation completed in 1997 and restored on October 4, 2017.[28] Later in his career, Libeskind designed the Life Electric sculpture that was completed in 2015 on Lake Como, Italy. This sculpture is dedicated to the physicist Alessandro Volta.

Opera and verse[edit]

Libeskind has designed opera sets for productions such as the Norwegian National Theatre's The Architect in 1998 and Saarländisches Staatstheater's Tristan und Isolde in 2001. He also designed the sets and costumes for Intolleranza by Luigi Nono and for a production of Messiaen's Saint Francis of Assisi by Deutsche Oper Berlin. He has also written free verse prose, included in his book Fishing from the Pavement.[29]

Academia[edit]

Daniel Libeskind was the Head of Architecture at Cranbrook Academy of Art in Bloomfield Hills, Michigan from 1978-1985. During his tenure at Cranbrook he explored various themes of space, influenced by theorists like Derrida and he was part of the leading avant-garde in architecture and academia. He produced several writings, artworks and large-scale explorations, including the Reading Machine, Writing Machine and Memory Machine.[30] The machines called the Three Lessons in Architecture were displayed at the Venice Biennale in 1985 where Libeskind also won a Stone Lion award.[31] Libeskind has taught at numerous universities across the world, including the University of Kentucky, Yale University, UCLA, Harvard, the University of London, the Leuphana University Lüneburg in Germany, and the University of Pennsylvania.[9] He continues to teach students at various universities including the Catholic University of America.[32]

Criticism[edit]

Libeskind's building for the London Metropolitan University has been the subject of criticism

While much of Libeskind's work has been well-received, it has also been the subject of often severe criticism.[33] Critics often describe Libeskind's work as deconstructivist.[34] Critics charge that it reflects a limited architectural vocabulary of jagged edges, sharp angles and tortured geometries,[35] that can fall into cliche, and that it ignores location and context.[36] In 2008 Los Angeles Times critic Christopher Hawthorne wrote: "Anyone looking for signs that Daniel Libeskind's work might deepen profoundly over time, or shift in some surprising direction, has mostly been doing so in vain."[37] Nicolai Ouroussoff stated in The New York Times in 2006: "His worst buildings, like a 2002 war museum in England suggesting the shards of a fractured globe, can seem like a caricature of his own aesthetic."[35] In the UK magazine Building Design, Owen Hatherley wrote of Libeskind's students' union for London Metropolitan University: "All of its vaulting, aggressive gestures were designed to 'put London Met on the map', and to give an image of fearless modernity with, however, little of consequence."[38] William JR Curtis in Architectural Review called his Run Run Shaw Creative Media Centre "a pile-up of Libeskindian clichés without sense, form or meaning" and wrote that his Hyundai Development Corporation Headquarters delivered "a trite and noisy corporate message".[36]

In response, Libeskind says he ignores critics: "How can I read them? I have more important things to read."[39]

Work[edit]

The following projects are listed on the Studio Libeskind website. The first date is the competition, commission, or first presentation date. The second is the completion date or the estimated date of completion.

Completed[edit]

Under construction[edit]

  • 2004–2020 CityLife (Milan), masterplan – Milan, Italy
  • 2015-2019 CityLife (Milan), Tower - Milan, Italy[42]
  • 2012-2021, Lotte Mall Songdo & Officetel, Songdo, South Korea
  • 2012-2020 Amsterdam Holocaust Memorial - Amsterdam, Netherlands
  • 2017-2020 Verve, Frankfurt, Germany
  • 2017-2020 East Thiers Station, Nice, France
  • 2017–2023 Tampere Central Arena – Tampere, Finland
  • 2018- 2023, Atrium at Sumner - Brooklyn, New York, US
  • 2019-2023 Artery - Vilnius, Lithuania[43][44]

Proposed or in design[edit]

  • 2009–? Archipelago 21, masterplan – Seoul, South Korea
  • 2009–? Harmony Tower, Seoul, South Korea
  • 2009–? Dancing Towers, Seoul, South Korea
  • 2008–? New York Tower, New York City, United States
  • 2018 – Great Synagogue of Vilna restoration, Vilnius, Lithuania[45]
  • 2017-2022 Occitanie Tower, Toulouse, France
  • 2019- Maggie's Centre, London, UK
  • 2019-2024 Ngaren: The Museum of Humankind - Kenya
  • 2020 - Four Seasons Dubai Water Canal Hotel - Dubai, UAE
  • 2021–? Tree of Life Synagogue, Pittsburgh, Pennsylvania

Libeskind design products[edit]

  • "The Wings" - sculpture in Munich
    2007 Royal Ontario Museum Spirit House Chair, Nienkamper, Toronto, Canada
  • 2009 Tea Set, Sawaya & Moroni
  • 2009 Denver Door Handle, Olivari
  • 2011 eL Masterpiece, Zumtobel Group, Sawaya & Moroni
  • 2012 Torq Armchair and Table, Sawaya & Moroni
  • 2012 Zohar Street Lamp, Zumtobel Group
  • 2012 The Idea Door 1 & 2, TRE-Più
  • 2013 The Wing Mirror, Fiam
  • 2013 Flow, Jacuzzi
  • 2013 Paragon Lamp, Artemide
  • 2013 Nina Door Handle, Olivari
  • 2014 Ice Glass Installation[46]
  • 2016 Water Tower, Alessi
  • 2016 Gemma Collection, Moroso
  • 2016 Swarovski Chess Set, Swarovski
  • 2017 Cordoba light, Slamp
  • 2017 Dining and side Table, Citco
  • 2019 Boaz Chair, Wilde + Spieth

Awards and recognition[edit]

Personal life[edit]

Libeskind met Nina Lewis, his future wife and business partner, at the Bundist-run Camp Hemshekh in upstate New York in 1966. They married a few years later and, instead of a traditional honeymoon, traveled across the US visiting Frank Lloyd Wright buildings on a Cooper Union fellowship.[51] Nina is co-founder for Studio Daniel Libeskind. She is the daughter of the late-Canadian political leader David Lewis and the sister of former Canadian Ambassador to the United Nations, Stephen Lewis.

Libeskind has lived, among other places, in New York City, Toronto, Michigan, Italy, Germany, and Los Angeles.[51] He is both a U.S. and Israeli citizen.[52]

Nina and Daniel Libeskind have three children: Lev, Noam, and Rachel.[53]

Bibliography[edit]

  • Daniel Libeskind: Countersign (1992) (ISBN 0-8478-1478-5)
  • Daniel Libeskind Radix-Matrix (1997) (ISBN 3-7913-1727-X)
  • Jewish Museum Berlin (with Helene Binet) (1999) (ISBN 90-5701-252-9)
  • Daniel Libeskind: The Space of Encounter (2001) (ISBN 978-0789304834)
  • Daniel Libeskind (2001) (ISBN 0-7893-0496-1)
  • Breaking Ground (2004) (ISBN 1-57322-292-5)
  • Counterpoint (2008) (ISBN 1-58093-206-1)
  • In the Unlikeliest of Places: How Nachman Libeskind Survived the Nazis, Gulags, and Soviet Communism (2014) Annette Libeskind Berkovits; foreword by Daniel Libeskind (ISBN 978-1-77112-0661)
  • Edge of Order (2018) (ISBN 978-0451497352)

References[edit]

  1. ^ Libeskind, Daniel (2004). Breaking Ground. New York: Riverhead Books. p. 88. ISBN 1-57322-292-5.
  2. ^ Rochan, Lisa (February 28, 2003; updated April 16, 2018). "Libeskind shows genius for complexity". The Globe and Mail. Retrieved July 5, 2019.
  3. ^ "Projects". Archived from the original on May 11, 2008. Retrieved June 12, 2008.
  4. ^ "Exhibitions". Archived from the original on May 11, 2008. Retrieved July 29, 2008.
  5. ^ Marek, Michael (February 18, 2010). "Architect Libeskind took unusual path to an international career". Deutsche Welle. dw.com. Retrieved July 5, 2019.
  6. ^ "Hiroshi Sugimoto-Daniel Libeskind: The Conversation" (press release). Royal Ontario Museum. May 22, 2007. Archived from the original on April 2, 2012. Retrieved July 5, 2019.
  7. ^ Breaking Ground: An Immigrant's Journey from Poland to Ground Zero By Daniel Libeskind
  8. ^ Libeskind, Daniel (2004). Breaking Ground. New York: Riverhead Books. pp. 11, 10, 35. ISBN 1-57322-292-5.
  9. ^ a b "Studio Daniel Libeskind: Daniel Libeskind". Retrieved June 12, 2008.
  10. ^ a b "Urban Warriors". The New Yorker. September 8, 2003. Retrieved September 1, 2021.
  11. ^ Libeskind, Daniel (2004). Breaking Ground. New York: Riverhead Books. p. 41. ISBN 1-57322-292-5.
  12. ^ "History - Cranbrook Academy of Art". September 11, 2018.
  13. ^ Yu, Myung-hee (2007). Daniel Libeskind. OPUS 1946-present. South Korea: I-Park. p. 34. ISBN 978-1-57322-292-1.
  14. ^ Pearman, Hugh (August 1, 1998). "Walls hold back the forgetting". Zeitgeist. pp. 26–27.
  15. ^ Hooper, John; Connolly, Kate (September 8, 2001). "Empty museum evokes suffering of Jews". The Guardian. Retrieved July 19, 2018.
  16. ^ "Voices on Antisemitism interview with Daniel Libeskind". United States Holocaust Memorial Museum. September 13, 2007. Archived from the original on December 1, 2010.
  17. ^ Dupré, Judith (2016). One World Trade Center: Biography of the Building (First ed.). New York. ISBN 978-0-316-33631-4. OCLC 871319123.
  18. ^ "Leading architect Daniel Libeskind talks on how buildings are associated with commemoration". Oxford Brookes University.
  19. ^ "Fiam - Daniel Libeskind". Fiamitalia.it. Archived from the original on April 18, 2017. Retrieved March 13, 2017.
  20. ^ "daniel libeskind structures paragon table lamp for artemide". Designboom.com. April 9, 2013. Retrieved March 13, 2017.
  21. ^ "Jacuzzi® and Daniel Libeskind together at Fuorisalone 2013". Jacuzzi.co.uk. Retrieved March 13, 2017.
  22. ^ "Idea". - TreP-TrePiù (in Italian). Archived from the original on July 23, 2015.
  23. ^ "Olivari B. - Daniel Libeskind". archive.is. June 16, 2013. Archived from the original on June 16, 2013.
  24. ^ "Sawaya & Moroni". Sawayamoroni.com. Retrieved March 13, 2017.
  25. ^ "Poltrona Frau". Pfgroupcontract.com. Retrieved March 13, 2017.
  26. ^ "Articles - Daniel Libeskind | Atelier Swarovski". atelierswarovski.com. Retrieved July 19, 2018.
  27. ^ "Daniel Libeskind Exhibits Six New Design Objects At Salone Del Mobile". Architizer.com. April 12, 2013. Retrieved March 13, 2017.
  28. ^ "Daniel Libeskind: Polderland Garden of Love and Fire (1997)". landartflevoland.nl. Retrieved July 19, 2018.
  29. ^ Davies, Colin. "Fishing From the Pavement – Book Reviews", "The Architectural Review", April 1998
  30. ^ "Libeskind's Machines". Lebbeus Woods. November 24, 2009. Retrieved September 1, 2021.
  31. ^ "Historical Archives | Gli Archi di Aldo Rossi". La Biennale di Venezia. June 13, 2017. Retrieved September 1, 2021.
  32. ^ Hines, Mary McCarthy. "Students Learn from Master Architect Daniel Libeskind". The Catholic University of America. Retrieved September 1, 2021.
  33. ^ Kyle MacMillian. "Pro-Libeskind forces fire back". The Denver Post. Retrieved March 13, 2017.
  34. ^ Erbacher, Doris and Kubitz, Peter Paul. "'You appear to have something against right angles", The Guardian, October 11, 2007
  35. ^ a b Nicolai Ouroussof (October 12, 2006). "A Razor-Sharp Profile Cuts Into a Mile-High Cityscape". The New York Times. Retrieved March 13, 2017.
  36. ^ a b Curtis, Jr., William (September 21, 2011). "Daniel Libeskind (1946- ) | Thinkpiece". Architectural Review. Retrieved March 13, 2017.
  37. ^ "Slash and yearn". Los Angeles Times. June 4, 2008. Retrieved March 13, 2017.
  38. ^ Hatherley, Owen (November 7, 2013). "Whatever happened to student housing? | Analysis". Building Design. Retrieved March 13, 2017.
  39. ^ "Daniel Libeskind: 'I'm not interested in building gleaming streets for despots'". Architects' Journal. June 20, 2013. Archived from the original on June 20, 2013.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  40. ^ Rago, Danielle (May 26, 2015). "Detail: The Tiles of Studio Libeskind's Vanke Pavilion". Architect Magazine.
  41. ^ "Ogden Centre for Fundamental Physics, Durham - RIBAJ". ribaj.com.
  42. ^ "Libeskind Tower: now under construction after the completion of Isozaki and Zaha Hadid's projects". Archived from the original on November 7, 2017. Retrieved November 6, 2017.
  43. ^ "Downtown Tower - Libeskind". Libeskind. Retrieved October 6, 2018.
  44. ^ "K18B – A-Class Office and Radisson RED Lifestyle Hotel Complex - Vilnius MIPIM2018". Vilnius MIPIM2018. Archived from the original on October 7, 2018. Retrieved October 6, 2018.
  45. ^ "Peres invited to advise on restoration of Vilnius synagogue", Times of Israel.
  46. ^ "Lasvit – glass installations, sculptures and design lighting". Lasvit.com. Retrieved March 13, 2017.
  47. ^ "General Description of the Hiroshima Art Prize". Archived from the original on September 19, 2008. Retrieved August 3, 2008.
  48. ^ "Daniel Libeskind". April 8, 2015.
  49. ^ University of Ulster Honours World-Leading Architect Daniel Libeskind Archived April 5, 2012, at the Wayback Machine University of Ulster News Release, November 11, 2009
  50. ^ "Document not found". July 10, 2011. Archived from the original on July 10, 2011.
  51. ^ a b Davidson, Justin (October 8, 2007). "The Liberation of Daniel Libeskind". New York. pp. 56–64.
  52. ^ See, Frequent Flyer. When the Wife is a Lucky Charm, Don't Leave Home Without Her. The New York Times, Tuesday, August 9, 2011, p. B6.
  53. ^ "Jewish Museum Berlin – Daniel Libeskind". Archived from the original on October 13, 2007. Retrieved February 25, 2009.

External links[edit]